In the pool I don't discriminate. Big ones, little ones, any spider I find I scoop and throw it at my sister. There is satisfaction in the scatter. It's not her I'm after, but that moment of laughter. It doesn't survive its own echo though. Later we ride bikes under the illusion of peace. The Spanish moss plays me like a song I'll always remember, whose rhythm I never cared for and I know I am all out of tune. We pedal slowly, a dance to old memories, shake our heads at how we lived them like lyrics, from mediocre to tragic. I ask out loud how we survived this world and Lauren says "It was either that or succumb."
Day drones on and finds us again nearly naked by the pool, where Lauren asks what I'm thinking and says "Me too." when I say "Mom..." I say "...where she is now and why she couldn't love us enough." and Lauren says "That she's a dick." Her words, not mine. My words are all used up like forgiveness.
Mother, my Mother you seep into everything bitter like that cinnamon stick which I wanted to believe would last its refinement and become something
good for me. I would have even settled for something not bad for me but you just can't help yourself.
I cannot help you. There are any unguessable number of miles between us and I cannot even get away from you. I am supposed to be on vacation from all of your you and this poem was supposed to be about spiders.
Glory green this grass and I am angry or in love with you. As mad as the lesser flowers are wild, simple extraordinary things. I crush a buttercup, say "It proves I am strong..." and pretend I don't care whether it will glow a golden sun on the chisel of your chin. I throw it on the ground and defy your cholesterol to matter any less just so long as you are taking your vitamins at least. "Confound you, I do not care." I say. Just like this feeble daisy, I plucked you out of nowhere and I swear I'll put you back there. "It is only a weed," I say "white and plain, and it does not matter." But it droops its head and reminds me of you sulking so I stick it in my hair "Just to get it out of my face." I say but as well as I know anything I know why it's there. There, scentless, feather heavy it woos me, whispers the dangling maybe I ask every day. Finally I say "It doesn't matter anyway, these childhood things need innocence and I do not believe anymore. But then. . . . . .if it doesn't matter, it doesn't matter and I'll only pull the petals out of spite," I say "to make it vulnerable and naked like me." I say. So I pick and I pluck, I say "No one's keeping track." but I get to that last and long and milky leg, that smooth exclamation point which trembles in my hand and I exhale sunshine and butter and wishes, bluebell and chicory and cherish the lesser things, the tender ones, the forget-me-nots filled with all our tiny forevers which I say "Once we meant to keep..." which only ever bloom in Spring, in clusters, in blue and humble promises. Later the petal glows warm and white, as innocent as anything floating in my tea and I say "On this day only, if I drink it I'll believe."
As a child, whenever someone asked me what I wanted to be when I grew up I'd say "I'm going to be an artist." So often the response was "Everyone is already an artist. What do you want to do for a REAL job when you grow up?"
Guess what happened? I grew up, got a corporate job fresh out of college and I was managing at a large company by 22 years old. I did that for almost 8 years and gained wonderful experience but not the life joy I was looking for. Joy in your work is so important. I didn't have that working under florescent lighting and constant white noise.
In 2008 I opened The Midnight Orange and in 2011 I took the very brave leap of faith and left my corporate job to pursue my dream as a full time artist. The job no one thought was real when I was a little girl became my very real, very fulfilling career. I am completely humbled and privileged to be doing what I'm doing, living my dream and teaching my two young daughters that it is wholly possible.
I am passionate about the subject matters I sculpt. My work touches everything life touches and aims to help us tell our life journeys in clay. My hope is that that is what you feel you've found at The Midnight Orange.